This exhibition is a poignant exploration of memory, grief, and endurance, assembled in profound dialogue with the legacy of Day Without Art. Drawing on a richly layered aesthetic, the work employs found objects, archival photographs, fabric, and video to evoke the fragmented yet persistent nature of collective memory, particularly as it relates to the early years of the AIDS crisis and the cultural response that followed. The installation resists linear narratives, instead inviting viewers to navigate a terrain of loss — spaces where absence is both palpable and charged with meaning.

I draw from two sources of inspiration as the base of the surface image of a figure, Barbarella, while placing objects, stencils, texts, and other tools to shape the landscape around the figure as a means of telling a story.

With meticulous pasting and stitching, this second installment of the Pulp Fiction exhibition spans the well-worn pages of HERstory into a women’s artistic narrative curated by Tricia Earl.

“Nasty Women” art exhibitions (2017-2018) created a collective mobilization of women-identified artists from Lubbock, Texas to Brussels, Belgium.